1. The United States of America on college education

    Student: I'm not going to go to college because I don't want to go into debt.
    USA: YOU USELESS PIECE OF SHIT. YOU'RE GOING TO AMOUNT TO NOTHING YOU FUCKING SCUMBAG. YOU'RE THE REASON WHY MY TAXES ARE SO HIGH.
    Student: I'm just going to attend a small community college instead.
    USA: HAHAHA YOU WERE TOO STUPID TO GET INTO A GOOD UNIVERSITY. ENJOY YOUR MCDONALD'S DIPLOMA.
    Student: I attended a four year university and received a diploma in a field I am interested in. Now I am $50,000+ in debt.
    USA: YOU DUMBASS. WHY THE FUCK DID YOU GO TO COLLEGE WHEN YOU KNOW YOU COULDN'T AFFORD IT? YOU DIDN'T EVEN CHOOSE A USEFUL MAJOR EITHER. GOD PEOPLE LIKE YOU MAKE ME SICK.

  2. As soon as a Western man comes into contact with the East — he’s already confused. The West has sort of an international rape mentality towards the East. …Basically, ‘Her mouth says no, but her eyes say yes.’ The West thinks of itself as masculine — big guns, big industry, big money — so the East is feminine — weak, delicate, poor…but good at art, and full of inscrutable wisdom — the feminine mystique. Her mouth says no, but her eyes say yes. The West believes the East, deep down, wants to be dominated — because a woman can’t think for herself. …You expect Oriental countries to submit to your guns, and you expect Oriental women to be submissive to your men.

    — David Henry Hwang (via literatureisboss)

  3. The difference, is of course, quite obvious–when sexual violence happens in the United States, not only do we have a habit of ignoring its root causes, we also reduce it to a “few rotten apples.” But in either case, we do not blame America's “culture,” or the American nation as a whole. The inability to properly understand the sexual violence epidemic in India, and the resort to “cultural” or “national” explanations for these crimes, exhibits orientalism and reductionism. Moreover, it serves to undermine awareness of sexual violence in the West. And perhaps, most importantly, it does not give us meaningful solutions for how Indian society, as it demands justice for the victims of sexual violence, can move forward to protect the rights of women. →

  4. America is a continent!

    America is a continent!

  5. "In Red Dawn, Washington patriots must defend their home by driving out Asian invaders– an unrealistic scenario that has never occurred in history. The historic scenario was essentially the exact opposite: The citizens of Washington, driven by racism, invaded and burned down entire Asian American communities and drove Asian Americans from their homes and out of the State, forcing them onto trains to Oregon." →

    zuky:

    so-shinny:

    Review and responses about Red Dawn by Racebending.com

    This upside-down vision of the world is actually a recurring characteristic of white supremacism: white people imagine and fear people of color doing horrible things to them which, in fact, white people have historically done to people of color. Many white people imagine that Black people are out to attack and kill whites and rape white women, when in fact history tells the exact opposite story, over centuries of colonialism, kidnapping, enslavement, white rape of Black women, white lynch mobs. Many white people imagine that Mexicans are “invading” their homeland and imposing language and culture, when in fact history tells the exact opposite story, in European conquest of Mexico and imposition of cultural genocide. Many white people imagine that Arabs “hate freedom” and seek to attack the West, when in fact history tells the exact opposite story, with Western crusades, violent colonization, imposition of dictatorships, invasion, occupation, extraction of natural resources. In “Red Dawn”, white Hollywood imagines that Koreans are militarily invading Washington state, when in fact recent history has seen the USA invade and partition Korea with an ongoing military presence there; and as the quote above mentions, East Asians were attacked by white people in the Pacific Northwest, Utah, Wyoming, California, and elsewhere, supported by the Chinese Exclusion Act, in a murderous campaign of ethnic cleansing known as The Driving Out.

  6. Yeah, That Needs To Go: Cultural appropriation →

    feminoonas:

    1) What is Cultural appropriation?

    Cultural appropriation is the taking on elements of other cultures and removing these elements from their original cultural context and ending up assigning different meanings and significance to them… that is to say you twist a cultural…

  7. “Color” in America operated within an economic context. Asian immigrants came here [United States] to meet demands for labor—plantation workers, railroad crews, miners, factory operatives, cannery workers, and farm laborers. Employers developed a dual-wage system to pay Asian laborers less than white workers and pitted the groups against each other in order to depress wages for both. “Ethnic antagonism”—to use Edna Bonacich’s phrase—led white laborers to demand the restriction of Asian workers already here in a segregated labor market of low-wage jobs and the exclusion of future Asian immigrants. Thus the class interests of white capital as well as white labor needed Asians as “strangers.”

    Pushed out of competition for employment by racial discrimination and white working-class hostility, many Asian immigrants became shopkeepers, merchants, and small businessmen. “There wasn’t any other opportunity open to the Chinese,” explained the son of a Chinese storekeeper. “Probably opening a store was one of the few things that they could do other than opening a laundry.” Self-employment was not an Asian “cultural trait” or an occupation peculiar to “strangers” but a means of survival, a response to racial discrimination and exclusion in the labor market. The early Chinese and Japanese immigrants had been peasants in their home countries. Excluded from employment in the general economy, they became shopkeepers and ethnic enterprisers. They also developed their own separate commercial enclaves, which served as an economic basis for ethnic solidarity, and their business and cultural separateness in turn reinforced both their image of condition as “strangers.”

    — From: “The Centrality of Racism in Asian American History” by Ronald Takaki [Major Problems in Asian American History edited by Lon Kurashige and Alice Yang Murray] (via minj27)

  8. For those who don't already read it →

  9. 9/11/73

    Today we remember an event that killed thousands—a truly tragic day. Today marks the day of Agosto Pinochet’s US-backed coup in Chile, removing democratically-elected (Marxist) President Salvador Allende from power and installing a dictatorship (whose policies were later used as the basis for the Thatcher/Reagan era).

  10. Another example of people painting portraits of political ideologies without understanding them.

    ghost-of-algren:

    libertarians:

    there’s a shooting in new york city

    the left goes insane[…]

    it’s revealed that all nine victims were shot by the NYPD[…]

    the left walks away

    “we have other things to be wrong about,” they whisper

    “the left”

    lol ok bro

    Here we see the claim that “the left” supports police brutality. Apparently, this man has never heard of the Black Panther Party, and its influence.

  11. friedwonthanh:

    racebending:

    Modern Day Yellowface in Cloud Atlas

    aka: Um, excuse me, but your fake slanty eyelid was applied crooked.”

    and also:  Why hire Asian American men when we can put white guys in yellowface?

    as well as: Warner Bros trying to be all “edgy” and “diverse” in the trailer by making the only Asian actors sexualized voiceless clones.

    maybe: Someone needs to tell Jim Sturgess (21) to stop trying to become the most famous young white actor with the most high profile whitewashed/yellowface roles

    and because someone is going to say it: It doesn’t matter if it is “artistic” and putting the Asian actress in whiteface doesn’t even things out when you have a fistful of white guys in yellowface as the only representation of Asian men.

    why not:  Hire a well known Korean American hapa actor like Daniel Henney, the same way you hired Halle Berry, if you really wanted to “go there”?

    how much: Money did you spend on make up and why do all these “Asian” guys have hooded monolids?  Because they look terrible.

    last word:  This is from the same studio that wanted to whitewash Akira, Death Note, Bleach, and cast Tom Cruise as a 16 year old Japanese mecha driver in All You Need is Kill/We Heroes All.  And then put several Asian male characters in yellowface.  

    easier: To come up with excuses to defend this rather than examine how practices like this perpetuate racism and discrimination.

    (Someone please turn creepy Elrond in yellowface into a meme.)

    Nightengale now Cloud Atlas, the next slap in the face of Asian Americans. 

  12. The terribly trifle tales: Cloudy Atlas  →

    friedwonthanh:

    As an Asian American in entertainment, I am constantly baffled and frustrated by the standard of what may or may not be considered racism, typically set by Caucasian men. The yellowface in Cloud Atlas is racist. Flat out. No grey area about it.

    To those of you defending it as as an artistic…

    This is only a symptom of a larger race problem in Hollywood, c.f. the neo-Orientalist narrative of such movies as “Avatar”—white guy (or surrogate) goes to Third World and:

    1. assimilates quickly, defeats empire, and becomes chief, or

    2. saves people, fights with sexist native rival, saves (and weds) “exotic” princess who magically falls in love with him, and returns